MVRDV founder Winy Maas has taken the helm at Domus in 2019. The Dutch architect is the second guest editor in the 10x10x10 series, which sees 10 architects each take on the direction of 10 issues of the magazine for the 10 years leading up to Domus’ 100th anniversary in 2028.Winy Maas will edit 10 editions of Domus over the course of 2019, under the theme of the future city. This will see both the magazine and website take a focus on the future of urbanism for the year.
ARCHITECTEM Milan contributor, Ayesha Sabri, held a conversation with Maas on taking up this new role. Maas is behind some of the most innovative urbanism of the 21st century, which he produces through the Rotterdam-based practice MVRDV he founded with Jacob van Rijs and Nathalie de Vries in 1993, and The Why Factory research unit he runs at Delft University of Technology.
Ayesha Sabri, ARCHITECTEM Milan based contributor, visited OMA designed Fondazione Prada and presents a visual narrative of the textures and spaces. The images are accompanied by her thoughts about the design interspersed by statements from the architect, Rem Koolhaas.
The Fondazione Prada has dominated the Milanese art and architecture scene since it opened. On visiting the Fondazione, you are greeted by a dynamic dialogue between pre-existing industrial structures and OMA’s recent interventions. A visual treat, pops of color, simplistic signage, and an overwhelming array of textures and surface treatments.
This year at Milan Design Week, Citizen collaborated with Tsuyoshi Tane from DGT Architects to create an immersive installation that explores the nature of time. Ayesha Sabri presents details from her visit and the inspiration behind the installation.
Every year, the Tortona Design District, features one event in particular that exceeds everyone’s imagination. This year, it was Citizen’s “time is TIME” installation. A spectacular sensory experience for the visitors for Milan Design Week.
As part of Design week in the historic neighbourhood of Duomo Milan, the courtyard of the 18th century Palazzo Clerici is hosting a pavilion by iQOS ™ cleverly titled ‘Anything Butts’. ARCHITECTEM explored the exhibit with its designers. Ayesha Sabri presents her account and details of the installation.
Centuries of architectural history can be collapsed into and experienced through the agency of a singular ambulatory experience. More surprising than this assertion is the unexpected set of places where this can occur. The Cimitero Monumentale di Milano – the Monumental Cemetery of Milan – is indeed one such condition, one of the largest cemeteries in the city and a point of interest for many. Architect Carlo Maciachini, whose personal style is associated with the eclectic period of Milanese architecture, poured his design energies into this project in 1866.