For the 15th International Architecture Exhibition, La Biennale di Venezia, the United States Pavilion presents ‘The Architectural Imagination’, a curatorial project led by Cynthia Davidson and Mónica Ponce de León featuring speculative architectural proposals for four sites in Detroit, Michigan. ARCHITECTEM met with Cynthia Davidson over gelato at the vernissage to discuss the curatorial vision, selection of Detroit as the focus, and her journey to curating; below is an excerpt from the conversation.
The Spanish Pavilion was awarded a Golden Lion at this year’s Venice Biennale, featuring a new type of architecture that emerged in the country after the financial crisis.
Under the title “Unfinished”, the exhibition curated by architects Iñaqui Carnicero and Carlos Quintáns consists of nearly 67 proposals and 7 photographic series presenting answers to the problems arising in Spain after the housing boom post-crisis. The inherited situation has led to many architectural studies to reflect on the passage of time in architecture and to respond against the excesses of the past.
Exhibition curator Iñaqui Carnicero is an Architect and has served as a visiting Professor at Cornell University. He has been recognised with numerous international awards such as the Design Vanguard Award, AIANY Housing Award, Emerging Architects Award, FAD and COAM Award.
The 15th International Architecture Exhibition of la Biennale di Venezia opened last month and saw the world converge on the floating city. The Biennale continues till November hosting pavilions responding to Alejandro Aravena’s curatorial proposal “Reporting from the front”. Aravena in his brief called for projects that are “looking for new fields of action, facing issues like segregation, inequalities, peripheries, access to sanitation, natural disasters, housing shortage, migration, informality, crime, traffic, waste, pollution and the participation of communities.” While most pavilion’s featured recent or proposed projects in response to this call for architectures that are responsible and responsive, the National Pavilion of UAE chose to look at the past.
This year at Milan Design Week, Citizen collaborated with Tsuyoshi Tane from DGT Architects to create an immersive installation that explores the nature of time. Ayesha Sabri presents details from her visit and the inspiration behind the installation.
Every year, the Tortona Design District, features one event in particular that exceeds everyone’s imagination. This year, it was Citizen’s “time is TIME” installation. A spectacular sensory experience for the visitors for Milan Design Week.
As part of Design week in the historic neighbourhood of Duomo Milan, the courtyard of the 18th century Palazzo Clerici is hosting a pavilion by iQOS ™ cleverly titled ‘Anything Butts’. ARCHITECTEM explored the exhibit with its designers. Ayesha Sabri presents her account and details of the installation.
Centuries of architectural history can be collapsed into and experienced through the agency of a singular ambulatory experience. More surprising than this assertion is the unexpected set of places where this can occur. The Cimitero Monumentale di Milano – the Monumental Cemetery of Milan – is indeed one such condition, one of the largest cemeteries in the city and a point of interest for many. Architect Carlo Maciachini, whose personal style is associated with the eclectic period of Milanese architecture, poured his design energies into this project in 1866.
Yasser Elsheshtawy, curator for the National Pavilion United Arab Emirates (UAE) la Biennale di Venezia and Associate Professor of Architecture at the UAE University, Al Ain, will present Transformations: The Emirati National House, an exhibition highlighting the transformations of the Emirati National House, also known as Sha’abi (folk) house. His focus is on how a basic housing model was adapted by residents to individualised homes, thus reflecting their culture and life style.