Earlier this week, OMA designed Concrete, opened its doors at Alserkal Avenue, in Dubai. A beautifully balanced symphony of monochrome textures, deep colors and translucent screens. Featuring circular ceiling tracks and movable panels – all elements to choreograph a dynamic space for performance and display. The inaugural exhibition, “Syria: Into the Light” showcased a collection based on the theme of ‘Portraits and Figures’.
ARCHITECTEM was at the opening reception, capturing details and embedded events within Concrete, its conversation with the art, the visitors and its context.
ARCHITECTEM visited the Serpentine exhibition of paintings and the rarely seen drawings of the pioneering and visionary architect Zaha Hadid. The exhibition is housed in the Serpentine Sackler Gallery, an extension completed in 2013 and one of Zaha Hadid Architects’ first permanent buildings in central London.
Drawing and painting were fundamental to Hadid’s practice. Influenced by Malevich, Tatlin and Rodchenko, she used calligraphic drawings as the main method for visualising her architectural ideas.
Mariam Husain captures Zaha’s work on paper, canvas and its physical context. The process and the spatial expression of Zaha’s investigations. Anything but a silent, still conversation between art, lines, forms and its witnesses.
Art Dubai is the leading international art fair in the Middle East, Africa and South Asia. The tenth edition of the fair takes place March 16-19, 2016 in Dubai, United Arab Emirates.Taking place each year in March, Art Dubai presents a select yet diverse line-up of around 90 galleries from the UAE and around the world, across three programmes: Contemporary; Modern, devoted to masters from the Middle East, Africa and South Asia; and Marker, a curated section of artspaces that focuses each year on a particular theme or geography.